Connor Geroux Writing

Category: Uncategorized

  • The Dog in the Alleyway

    There is a wounded dog in the alleyway. It walks with a limp and its hair is matted. 

    I met it when I was a different boy, on the every-boring walk home from school. I heard it using its paws to dig at a thorned bush, pain searing through its eyes in the process

    And I pulled the dog from the bush. Or tried, at least. It turned its attention to me and bit the hand I used to pull it from danger. It limped away from me, and I could see dried blood on the nape of its right hind leg.  

    The wounded dog stayed in the alleyway, attempting to nurse to the limp itself. But I was taught to be curious. 

    So another day I went back to the alleyway, and the dog was there. And in my bag was a stick of jerky I had taken from a pantry hardly used. 

    And with my bandaged hand I opened my bag. Or tried, at least. The dog caught a whiff of the smell and pounced on me. In its scramble for the prize it slashed me in the face with its claws. And once it had what it wanted, it limped away from me.

    The wounded dog stayed in the alleyway, attempting to nurse to the limp itself. But I was taught to be compassionate.

    So one more day, I arrived at that alleyway and took notice of the dog. And on that day, with my gauze wrapped around my hand and face from our previous encounters, the dog seemed to eye me with a different expression. 

    Perhaps the dog was not used to those it hurt coming back to the alley. 

    Perhaps it saw my injuries and was finally comfortable. 

    Whatever the case, it treated me with kindness. Not hopping around, but a gentle, noncommittal kindness. The mutt let me sit near it. And for a few hours, I spoke with it, gave it rubs, and let it rest its head on my knee. 

    And for a moment, I looked at this dog. It was tired and hurt. The brambles of bushes were not a stranger to the mutt. And I pitied the dog in the alleyway, for all it had to go through to find its home here. 

    And then I turned to go home.

    Or tried, at least. 

    Seeing me leave it for the day the dog rushed to have me stay with it. And in order to pull me back to stay, its barred teeth laid into the right side of my ankle.

    And for the first time, I screamed. 

    The noise startled the mutt, and it limped away from me, deep into the shadows of its home. And I stood up, and began to walk. But the pain the dog had inflicted had gone deeper than it ever had before, and so, I limped home for the last time. 

    To this day, I still favor my left leg. And to this day, I think about the eyes of the dog, the one who didn’t mean to hurt me, but didn’t know anything else. 

    I hope one day, we both can learn to nurse our wounds.

  • On Heaven

    Millions of years ago, there was no such thing as a “Grand Canyon.”

    The story goes like this: the plates underneath the Earth collided and lifted a chunk of the ground, creating a massive plateau. This allowed the Colorado River, a rather small river at the time, to brush up against this chunk of dirt and begin breaking apart the rocks, cutting a massive dent into this even larger body. The river does this enough, and that once strong standing rock is now broken apart, eroded after constant pressure from an outside force. It is a scar embedded deep into the Earth. 

    The rock didn’t ask to be this way, but now it has become an entirely new thing, and that canyon brings roughly 5 million visitors every year. As I grew up in Arizona, every science class had a lesson on the canyon, and the effect that erosion had on it. 

    This is the lesson: if enough time passes, anything can break. 

    I grew up with the thought of Heaven shoved into my head. I had not lived a full year before I was told about a time where I no longer would – that there was this “other place” that we were to arrive at, one much better than the one we live in now. 

    I did not find this odd or concerning; it was simply reality. Obviously, this life is evil. There’s storms and war and other gangling beasts that tear us apart with no hope of putting us together again. 

    And so, before I was able to take a step in the world I found myself in, I was taught to resent it. I was taught to look at the wounds this world has and see only the scars: unchanging, permanent, not worth the time to fully heal. 

    And it’s not like we can close up the Grand Canyon. 

    Heaven is a beautiful place. Heaven will have a long dining table, and friends and family will eat from it all the foods of the world. Heaven will be a rock concert with a room just outside to decompress every once in a while. Heaven will be the words unspoken finally given sound. 

    There is nothing wrong with loving Heaven. It would be illogical not to. 

    But where does that leave us here?

    The story goes like this: we are born with visions of heaven thrust on us. We are told of the evils of the world before we have a chance to see them. And when the waves of the world push at us, the love we have for this life begins eroding, until eventually, we are left with scars on our own hearts. 

    And it’s not like we can close up the Grand Canyon. 

    So what do we do? We cling onto Heaven. We cling onto that long table and banging music. We hold those words we should be saying in our lungs, waiting to say them for some other time. And after the scar tissue has finished developing, we refuse to let ourselves be broken again. 

    We do not engage with our world. We simply wait for rapture. And in doing so we neglect to accept every instance in which we could make our Heaven here. 

    Another lesson from the Grand Canyon: change is beautiful, and our world is full of it. 

    Millions flock to the Grand Canyon every year. A massive gash in the middle of the Earth attracts families, and their families, and their families. Inside the Canyon is a system of plants and animals who have lived in there for generation after generation. This imperfection, this deep scar, is regarded as one of the most beautiful things our world has created. 

    And our hearts are full of scars. We have been cut and sliced and broken by the creeping beasts of the world. And we will continue to search for every imperfection, every blot, and every heartbreak. 

    In this we have a choice: do we wait for Heaven to come another day, or do we search for beauty here?

    And there is nothing wrong with loving Heaven. It would be illogical not to. But if our hearts are to be scars anyway, we must find it in ourselves to tend to each other. In this way, we can find a slice of Heaven here. 

  • Portrait of Santa Claus

    I was 6 years old when I met my first monster. His name was Santa Claus.

    My grandparents would often have my brother and I over to stay the night. Whether my parents needed a night off, or had a trip to go to, or anything else was out of my frame of reference. All I knew was that I would be staying over at Grandma and Grampas. I’d most likely have chicken nuggets and macaroni out of a frog-shaped paper plate, and we’d perhaps play a card game of some kind. 

    But in the night, when the banging of plates and low tones of local news had left the premises, I would find myself needing to use the bathroom. And though the bathroom was simply the room next door, to get there I would need to come face to face with this first monster: a painting of an old man with a scraggly white beard. This painting is long gone by now, as far as I know, and for all I know now this could have been a prominent historical figure, or a commentary on the passage of time. But what my small brain could compute at the time was simply Santa Claus, and so it was Santa who I would have to meander past. 

    And when I stepped out of the room my brother and I slept in, I would come face to face with this painting. And the slight moonlight coming through windows would only reveal certain facets of the creature: his Eyes. Walking past this painting took me to a past life: one where I was a wild boar in the jungle, and a tiger had selected me for its next meal. The eyes would bear down on me with no discernable intention, a human with no heart. After looking at the love in the eyes of my grandparents the entire day, here was a face with no love or hatred, only intention. An intention I could not possibly understand. And so I would run to the bathroom, do what I needed to, and run back. 

    And there was one night in particular where this all came to ahead. Where I decided it was time to face this fear once and for all. So as I slipped off the bottom bunk bed and out into the hallway, I steadied myself and bore my eyes deep into the painting. Santa Claus’s devilish smile brought me into a strange trance, and the darkness around me began to close in. My legs began to wobble, but I did not cry. My brother was in the room behind me, and my grandparents in the room next to my next. Certainly, if I do not expel this spirit from this house, it will be more than myself feeling its weight on my chest. 

    And as I did, my eyes were adjusted to the darkness. I could make out his nose, his cheeks, the cigar he held in his mouth. Until eventually, I could see Santa for the jolly fellow he is. Now, this did not make his eyes any less uneasy to me. But it did allow me to use the bathroom in peace. And ultimately, when you are six years old, that is all that matters. 

    I am not sure if I have ever spoken about the Santa painting to my grandparents. They may never know the profound impact that portrait had on me. But I think often about that night. 

    I have encountered my share of monsters since then, and still reckon with them to this day. I often find myself out in public being chased by a shambling pool of water. I seem to be the only one with knowledge of this hulking mass, its slug-like moments unnoticeable to anyone else but my own eyes. And every so often, I will speak words without thinking, and in that moment my spit will be absorbed by the shambling mass, and it will get just a bit larger. One day, the spit will be all that is left, and it will drown all I care for in its viscous muck. 

    I have encountered other monsters with a more fast-paced ambition. In my dreams I find myself in a race with a shadow. Its legs are twice my size and move at twice my speed, yet I miraculously keep pace with it. There are even times in this race where I pass this shadow, and all I see is the track in front of me. But even in these moments where it is simply me and the open air, I can feel the weight of my shadow behind me getting heavier and heavier. And I know that by the end of the mile, it will have won. 

    But the other monsters I have encountered only appear every once in a while. I do not find myself meeting any monster more often than I do the spider in my closet. When the air sounds only like an old air conditioner, and the clock hands are in the double digits, the spider will crawl out from the closet door, and grow to the size of a labrador. But this spider remains just as dexterous as it was before, as it crawls along the walls and ceiling, its eight legs scraping the drywall with the sound of a couch being drug along tile. And when it reaches me in my bed it sticks its front legs in my chest and past my ribcage. It does this to expose those tender heartstrings: those sacred veins I dare not show anyone. For this spider is a fiddler, and my strings are in tune for its melancholic song. In the depths of its melody and the weight of its body I find myself short of breath, and only the calming breath of slumber and the race of my shadow can relieve me of this monster. 

    Yes, I have encountered many monsters in my life. These shambling mounds, these dragging shadows, these wicked musicians will only become more grotesque as I age. Which is what reminds me of Santa Claus and that fateful night when I was six. That moment where I looked into the beast’s eyes, and began to see it for what it is. 

    The eyes are exceptional sensors. What this means is that they take in light as information, and create a picture in our heads to interpret that light. By some ordained act of God we have developed the ability to absorb light into our minds, and create images from it. I know this now. But I think back to that first night when I saw Santa for who he is. I had no knowledge of what my eyes were doing, and yet they were doing it all the same.

    In a room of complete darkness, I took in the light that I could find. And when I did that enough, I was able to face the monster, and see it for what it is. This has always been the key to defeating a monster. And though the monsters grow and change with me, this technique will always be true. 

    And so every day, without fail, I must make this a practice. No matter what new monsters I meet, I must approach them and look them in the eye. I must let myself take in the light that they attempt to steal from me. I must see them for what they truly are. 

    For though they may be more complex, they all end up the same: a Portrait of Santa Claus.